It’s about a murder, that’s all I’m going to say. Why? I can’t really tell you that this is the sort of film that’s best if you go into it blind. I don’t care if you’re not a “documentary person”-watch this one. And to top it all off, the issues at the center of the film are unfortunately still just as relevant as when it was made.ĭear Zachary: A Letter To His Son About His Father
While Jordan has proven his star power elsewhere, no other role since Fruitvale Station has provided him the same opportunity to show off his acting chops. First and foremost, it’s a fantastic film-and Coogler’s debut feature, which is downright astounding. And it’s a damn shame for a number of reasons. Jordan have gone on to take Hollywood by storm with the extremely successful Creed and, next up, the highly anticipated Black Panther slated for release next year. Now, when this film was released in 2013 I didn’t think I would be including it in a list of hidden gems, but it really has faded into some degree of obscurity since then, even if the dream team of Ryan Coogler and Michael B.
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It might be a spin off from the short-lived BBC series The Thick Of It, but no knowledge of the show is needed to appreciate Peter Capaldi’s Malcolm Tucker, the Prime Minister’s quick-witted, short-tempered Director of Communications who hands out witty insults like candy with the sort of confidence to which us plebeians can only dream of someday aspiring. We all need a bitter laugh at the state of world politics right about now, and this brilliantly pithy and eminently quotable pitch black satire from the simpler time of 2009 is still relevant enough to provide cathartic laughs while being blessedly void of any of the names or newly introduced words and phrases that have become a constant daily presence on social media, the news, and life in general. Not a complete list, to be sure, but a good starting point for finding great hidden gems in the streaming universe. Our goal today is to find you something great that maybe you haven’t seen or been served by the almighty algorithm. Netflix recommending you watch a bunch of Adam Sandler movies? Not sure where to start with Amazon (beyond their original content)? Have you worked through all of Filmstruck’s amazing curated collections? For many cord-cutters, streaming is the way but the algorithms often betray us. “What should I watch right now?” This is a question we get a lot from friends, family, readers, and even strangers on the street. In 2012, filmmaker Amit Dutta included the film in his personal top ten (for " The Sight & Sound Top 50 Greatest Films of All Time" poll).Our team searches out great films you can watch right now via our three favorite streaming services. His concentrating on just a few victims of the famine causes such massive loss to become real, immediate. A tragedy of such magnitude becomes an event abstracted by arithmetic. "It is, however, very different from those early films" he writes, "It is the work of a director who has learned the value of narrative economy to such an extent that 'Distant Thunder,' which is set against the backdrop of the 'manmade' famine that wiped out 5 million people in 1943, has the simplicity of a fable." Tom Milne of Time Out calls the film "istant thunder, indeed a superb film." Dennis Schwartz gave the film an A- and called it " gentle humanist film that informs the world that over five million died of starvation and epidemics in Bengal." Jay Cocks writing for Time echoes Canby's assessment of it as a " fable", writing: "Distant Thunder has the deliberate, unadorned reality of a folk tale, a fable of encroaching, enlarging catastrophe." He calls the film "superb and achingly simple . He remarks that the film "has the impact of an epic without seeming to mean to" and noted various connections with Ray's own Apu Trilogy (in its casting of Chatterjee and in it being an adaptation of another Bibhutibhushan Bandopadhyay novel). Vincent Canby of The New York Times called the film "moving" and "elegiac". Soumitra Chatterjee as Gangacharan Chakravarti.The film unfolds at a leisurely pace that reflects the rhythms of village life, but gradually shows the breakdown of traditional village norms under the pressure of hunger and starvation. Ray shows the human scale of a cataclysmic event that killed more than 3 million people. The film is set in a village in the Indian province of Bengal during World War II, and examines the effect of the Great Famine of 1943 on the villages of Bengal through the eyes of a young Brahmin doctor-teacher, Gangacharan, and his wife, Angana.
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